Lighting
NANLUX Matrix 2500B LED Bi-color Multi-source Spot Light
NANLUX Matrix 2500B LED Bi-color Multi-source Spot Light
The NANLUX Matrix 2500B LED Bi-color Multi-source Spot Light is a powerful 2500W multi-source LED fixtures built for large-scale film, television, commercial, and virtual production environments. Designed around a compact four-head integrated body, the Matrix series delivers high-output performance, smooth beam continuity, and professional-grade control for productions that need serious punch from a modular lighting system.
The Matrix 2500B is the high-output bi-color model, offering a 2700K–6500K CCT range with ±80 green/magenta adjustment, making it ideal for powerful daylight-to-tungsten applications where maximum white-light output is the priority. The Matrix 2500C adds full-color control with NANLUX’s Nebula C8 Color Light Engine, delivering an ultra-wide 1000K–20,000K CCT range, ±200 green/magenta correction, and advanced color modes including HSI, HSIW, RGBW, XY Coordinates, Gel, and Effects.
Both fixtures feature excellent color rendering with an average CRI and TLCI of 98, precise 0.1% dimming, and multiple control options including onboard controls, NANLINK App 2.0, DMX/RDM, LumenRadio CRMX, Art-Net/sACN, and NFC for faster multi-fixture setup.
Built with an IP66-rated magnesium alloy housing, the Matrix series is designed for demanding indoor and outdoor production environments. The integrated power and control design keeps setup clean and efficient, while the front-to-rear airflow cooling system and four fan modes help maintain stable performance during long production days.
For larger lighting builds, multiple Matrix fixtures can be combined using the optional NANLUX four-light frame to create a synchronized 10,000W lighting array. This makes the Matrix system ideal for sunlight simulation, large soft bounces, high-output background lighting, virtual production stages, and modular truss-mounted lighting grids.
The included FL-MT25 Motorized Fresnel Lens provides a 16°–48° zoom range and allows beam angle adjustments to be controlled remotely, especially useful when fixtures are rigged high or used in multi-light arrays.
Best for: feature films, commercials, high-speed photography, large studio builds, exterior night work, sunlight simulation, virtual production, stage lighting, and professional rental environments.













