The ARRI AMIRA – the “go anywhere, shoot anything” camera! A versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 100 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies – wherever you’re going, the ARRI AMIRA is ready to go with you!

The ARRI AMIRA features:

• Fast boot-up time – AMIRA boots up in about 13 seconds.
• Color bar – a color bar is used mainly to judge the colorimetry of the monitor displaying the camera output.
• Waveform display –a further tool for judging exposure levels.
• Enhanced HD-SDI outputs: AMIRA’s HD-SDI outputs allow the overlay of information about timecode and other parameters that is seen in the viewfinder, to also be seen on monitors. Additionally, it is also possible to use an HD-SDI signal input as a further ‘genlock-like’ sync option.
• LDS functionality: ARRI’s Lens Data System® (LDS) comprises a range of products generating highly accurate lens metadata for use on set and in post. When using an LDS lens on AMIRA’s LDS mount, lens data about iris, focus and zoom positions is visible in the viewfinder and all lens data will be embedded in the recorded QuickTime files.
• 14 stops of dynamic range
• Records up to 4K UHD
• Records up to 200 FPS
• Natural skin tones
• Optimized for single operator
• Internal ND filters (ND 6, ND 1.2, ND 2.1)
• Sliding dovetails and perfect should balance
• OLED eyepiece and fold away LCD monitor
• Pre-load 3D LUTs and looks
• ARRI Look Library
• Cost-effective option with the reliability of ARRI manufacturing
• In-camera color grading
• Super 35 sensor
• Weight: 9.2 lbs

The ARRI AMIRA – the perfect tool for your job – is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. The AMIRA ARRIRAW License Key enables in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording at frame rates of up to 48fps.

Enhanced HD-SDI outputs on the AMIRA allow the overlay of timecode and other information parameters which is seen within the optional viewfinder to also be seen on connected monitors. Per ARRI, you use an HD-SDI signal as further gunlock-like sync options.

The ARRI AMIRA is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion. Works great as A Camera, also pairs beautifully with our ARRI ALEXA Mini‘s for multi-cam set ups. Speaking of set ups, this camera sets up in a matter of minutes, and is ready roll quickly and easily. Simply, put on a battery, lens, and media, and you’re ready to go. The ARRI AMIRA has been used on projects like Yellowstone, Ballers, and Sakawa.

Recording formats:

• ARRIRAW
• Apple ProRes 4444 XQ
• Apple ProRes 4444
• Apple ProRes 422 HQ
• Apple ProRes 422
• Apple ProRes 422 LT
• MPEG-2 HD