• Atlas Anamorphic 32mm T2.0
• Atlas Anamorphic 40mm T2.0
• Atlas Anamorphic 50mm T2.0
• Atlas Anamorphic 65mm T2.0
• Atlas Anamorphic 80mm T2.0
• Atlas Anamorphic 100mm T2.0
• Atlas 1.6x LF Anamorphic Extender
• Atlas 1.4x LF Anamorphic Extender

The Atlas Anamorphic Prime Lens A Set and B Set with 2X front anamorphic design are now available at MPS Studios! At the heart of Atlas Lens Co. Orion Series is a true Front Anamorphic Group. Orion Series lenses deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and signature but controlled flare.  These optical characteristics are now available as part of your cinematic storytelling toolkit with a mechanical functionality that won’t leave you feeling confounded by compromise.

Atlas Anamorphic (aka Atlas Orion Anamorphic) lenses are built to be a universal filmmaking tool – ready for the latest Digital Cinema PL mount cameras like ARRI ALEXA Mini, and are even designed to accommodate the rotating mirror shutter of 35mm Motion Picture Film Cameras following ARRI PL Flange requirements. Whether your project requires you to shoot digital or film, the 65mm T2 has the coverage you need and boasts a larger than S35mm Image Circle. (Alexa Open Gate full height Coverage). Combined with the Atlas Extender, the Atlas Anamorphic lenses can also cover full-frame sensors like the ALEXA MINI LF.

Focus has a deep 270° travel rotation. Cine pitch 0.8 mod gearing on both iris and Focus ring are spaced to allow simultaneous drive control, even when two motors are mounted on the same side of the lens.

Put simply, anamorphic lenses optically squeeze the image horizontally onto your recording medium to give you a wider field of view. The Atlas Orion Anamorphic Primes offer a cost-effective way to shoot anamorphic – generating an oval bokeh and controllable lens flares.

Why is Cinemascope Anamorphic shooting so special? It’s often difficult to put into words the feeling we are left with when watching something shot using Anamorphic lenses. One particularly unique feature of a true front Anamorphic Lens is that for a given focal length, you have the same vertical field of view as that of a spherical lens of the same focal length, but with twice the horizontal field of view (2X). In the example of a 65mm 2x Anamorphic Lens, you would have a 65mm vertical FOV with 32.5mm equivalent horizontal FOV.

In effect, you can capture a wide-angle image with the inherent shallow Depth of Field qualities of a telephoto prime lens. This optical property creates a unique sense of perspective magnification which generates depth in your images — at times feeling more epic than real life as we experience it!

Utilizing a sensor optimized for Anamorphic shooting (4:3 mode, Full Aperture 17.8mm sensor height) you can unlock the full Imaging potential of the Atlas Atlas Orion Anamorphic Lenses.

Atlas Anamorphic Rental Atlas Orion Anamorphic Rental has never been easier! Contact MPS Studios Dallas or Austin offices to book them for your next project!

About Atlas Anamorphic Lens Co: Atlas is a modern anamorphic cinema lensmaker on a mission to democratize cinema. Founded in 2016 by lead designer Forrest Schultz and cinematographer Dan Kanes, our vision is to build anamorphic lenses that are optically pleasing, mechanically robust, and available to meet the needs of modern cinematographers worldwide. Headquartered in Burbank, CA, we design and manufacture affordable, high-performance tools that deliver vintage aesthetics in modern mechanics. In forming Atlas Lens Co., we designed and built the lenses that we wanted to use for our own films. We hope you will join us in using the Orion Series to bring your vision to life.

More Atlas Orion Anamorphic Prime Lens info from the manufacture: https://atlaslensco.com/orionseries

Built in the 1970’s, the Kowa Anamorphic Primes are 2x anamorphic primes offer low contrast, warm colors, and can be made to flare easily. Vintage anamorphic primes, rehoused for today’s demands! Lightweight, compact, and easy for handheld, Steadicam, car work, and gimbles. Book them for your next gig!

Our Kowa Anamorphic Primes are available in the following focal lengths:

• 40mm T2.3
• 50mm T2.3
• 75mm T2.8
• Kowa Evolution 2X 100mm T3.2

The vintage Kowa Anamorphic lenses are available in both our Austin and Dallas offices, and pair beautifully with our new ARRI 35, ARRI ALEXA Mini and ARRI AMIRA Super 35 cameras.

All 12 focal lengths now available at MPS Studios: 18, 21,  25, 27, 32, 40, 50, 65mm macro, 75, 100, 135, 152mm.

The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted the introduction of a modern redesign of the vintage classic: the Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses.

The new Cooke Panchro/i, that is true to the original look of the now legendary Speed Panchro, recreates the same look and feel of the original with the advantage of modern glass mounted for today’s cameras. And, the new lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.

The original Cooke Speed Panchro, designed by Horace W. Lee in the 1920s, was a cine prime lens that chromatically enhanced an image when filming under restricted illumination. Cooke Speed Panchros combined a relative aperture as wide as f2.0 with an angular field of view and definition previously impossible with much smaller apertures. They quickly gained a worldwide reputation for quality cinema production and were widely used throughout the 20th century.

The coveted Cooke Look, defined by Cooke as “sharp, subtle, smooth rendering that provides dimensionality, high contrast, and pleases the eye” that produces “warm and natural visuals”.

The Cooke Panchro/i Classics feature:

• The same coveted Cooke Look aesthetic as the now legendary Cooke Speed Panchro
• An adapted and upgraded design of the vintage classic featuring modern glass
• Equipped with /i Technology for frame by frame digital information capture
• Cooke’s /I Technology, enabling cameras to automatically record key lens data for every frame shot, allowing post-production teams to access it digitally
• Precision PL Mount with /i Technology Electrical Contacts
• Quality and consistency that Cooke is known for
• Soft, subtle flairs even when pointing directly at a light source
• Warm color palette

The Cooke Panchro/i Classics are color matched to most Cooke lenses – our Cooke S7’s, Cooke Anamorphic Primes, Cooke S4’s, and Cooke Mini S4’s.

Cooke’s /i Technology enables cameras to automatically record key lens data for every frame shot, allowing post-production teams to access it digitally. Featuring key information on  lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number and more, it streamlines production and post and saves time and cost to eliminate guesswork. AC loves this technology in combination with remote follow focus systems.

Available primes for 16mm film cameras below:

• Angenieux 5.9 (B-mount with PL adapter)
• Optex 8mm (PL Mount)
• Zeiss 8mm (B-mount with PL adapter)
• Zeiss 9.5mm (B-mount with PL adapter)

Zeiss first introduced the Super Speeds following the success of their Standard Speed Primes. In their own right, the Zeiss Super Speeds have become a staple for filmmaking for over 40 decades. Known for their high contrast and cool image rendition, the Zeiss Super Speeds produce a vintage, softly muted image.

Every lens is 80mm front element, and weighs less than 3 lbs. Their compact, lightweight design makes them ideal for handheld use, car shots, and Movi work, while their speed (an impressive T1.3) keeps them as a favorite for DP’s across the globe.

The Cooke S4 Prime Lenses are colour-matched and compatible with Cooke’s 18-100mm T3.0 and 25-250mm T3.7 zoom lenses (also available at MPS). The S4 lenses represent a major advance in fixed focal length lenses for 35mm format professional cinematography.

Available Focal Lengths: 14, 16, 18, 21, 25, 27, 32, 35, 40, 50, 65, 75, 100, and 135mm

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