134.8° Ultra Wide Perspective
Laowa 9mm T5.8 VV Cine is the widest rectilinear full-frame lens available, delivering an expansive 134.8° diagonal field of view on full-frame sensors. Its ultra-wide-angle design enhances cinematic and dramatic impact, while the vast field of view captures stunningly rich details.

perspective distortion
The Unique Character of Ultra-Wide-Angle Lenses
Ultra-wide-angle lenses bring a distinctive visual signature to your work. By making objects closer to the camera appear significantly larger than those in the distance, they exaggerate depth and create a dynamic sense of scale. This stretching effect, particularly pronounced at the edges of the frame, adds a dramatic, surreal and immersive quality to your shots.

Ø46.31mm Image Circle
With a generous Ø46.31mm image circle, this lens ensures full coverage of most full-frame sensors, delivering exceptional image quality across the entire frame. Designed to meet the diverse needs of filmmakers—from independent creators to large-scale productions, it combines versatility with precision.

Impeccable Close Focusing Capability
The 12cm close focusing capability of a wide-angle lens unlocks creative potential, allowing you to capture striking compositions with exaggerated depth and perspective. By getting close to your subject, you can highlight foreground details while maintaining a wide, immersive background, creating dynamic contrast and visual impact. This feature is especially valuable in tight spaces, enabling effective shooting without losing context.

Outstanding Image Quality

Thanks to its low-distortion optical design, these lenses deliver exceptional sharpness across the entire frame, from the center to the edges. This ensures consistent image quality, even in the most demanding shooting conditions. Additionally, the lenses are engineered to minimize chromatic aberration, effectively reducing color fringing around high-contrast edges, making this lens ideal for professional cinematography.

Compact and Lightweight Design

Weighing just 430g (0.95lbs), the 9mm T5.8 VV Cine is exceptionally lightweight and versatile, making it an ideal choice for a wide range of shooting setups. Whether mounted on gimbals, drones, handheld rigs, or other stabilizing equipment, its compact design ensures seamless integration and effortless maneuverability. Perfect for on-the-go filmmaking, it enables dynamic shots and smooth camera movements, even in challenging environments. Additionally, its smaller form factor allows for greater flexibility in confined spaces, making it a practical and powerful tool in any scenario.

Designed with a concept akin to the evolution of experimental music, each BLACKWING lens is based on an underlying level of distortion that is tuned to produce the desired resonance for the S-, T-, and X-Tuned series. Tuned parameters include sharpness, contrast, spherical aberration, roll-off, edge halation, and field curvature.

Used on commercials, series, and features with stunning visuals like Conclave, BLACKWING tuned lenses pair well with full-frame, cine-style cameras like the RED V-RAPTOR [X] 8K VV , ARRI ALEXA Mini LF , Sony VENICE , and the Blackmagic URSA Cine 17K . Cine-style features include a 14-blade aperture, 270˚ barrel rotation for precise focus pulls, 0.8 MOD focus and iris gears, and a 114mm front diameter across the series.

X-Tuned

“X” for expressive—designed to create dreamy, near-ethereal images with exaggerated halation, the X-Tuned primes have selectively uncoated edges that reduce contrast in harder lighting conditions. Slight spherical aberration and focal plane curvature increase the perception of shallower depth of field.

Designed with a concept akin to the evolution of experimental music, each BLACKWING lens is based on an underlying level of distortion that is tuned to produce the desired resonance for the S-, T-, and X-Tuned series. Tuned parameters include sharpness, contrast, spherical aberration, roll-off, edge halation, and field curvature.

Used on commercials, series, and features with stunning visuals like Conclave, BLACKWING tuned lenses pair well with full-frame, cine-style cameras like the RED V-RAPTOR [X] 8K VV , ARRI ALEXA Mini LF , Sony VENICE , and the Blackmagic URSA Cine 17K . Cine-style features include a 14-blade aperture, 270˚ barrel rotation for precise focus pulls, 0.8 MOD focus and iris gears, and a 114mm front diameter across the series.

T-Tuned

Transient T-Tuned lenses feature noticeable contrast roll-off, heightened edge halation, and vibrant flaring produced by vintage-style, single coated optics. The 10 T-Tuned primes lenses are available singly and in a 6-lens set of 27, 37, 47, 57, 77, and 107mm lenses that can be expanded with a longer 137mm prime and wider 17, 20.7, and 23.7mm lenses. Each is tuned with a high level of light reactivity and exaggerated contrast roll-off that extends to the edge of the frame, creating a slightly softer, artistic look.

DZOFilm Arles Prime Lens Set:  14mm, 18mm, 21mm, 25mm, 35mm, 50mm, 75mm, 100mm, 135mm

Cinematic, Painterly Look

Equip your full-frame ARRI PL-mount camera with the DZOFilm Arles Prime Lens Set to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.

Venus Optics Laowa 10mm T2.9 Zero-D VV Cine Lens ARRI LPL (FULL FRAME) is the most compact rectilinear 10mm lens for Full-Frame/VistaVision sensors on the market, featuring a groundbreaking 130.3° angle of view for realizing formerly impossible creative freedom. Perfect for tight spaces, it delivers exceptional image quality with an Ø46.31mm image circle, covering full-frame and VistaVision sensors. The 12cm close-focusing distance enables detailed close-ups, while its lightweight 516g (1.14 lbs) design ensures versatility for gimbals, drones, and handheld setups. Ideal for dynamic, immersive storytelling.

Available in ARRI LPL Only

TRIBE7 BLACKWING7 PRIMES FULL FRAME OVERVIEW

TRIBE7 BLACKWING7 PRIMES FULL FRAME lenses have been designed specifically for large format motion picture imaging, offering contemporary filmmakers an entirely new range of optimized optics for their creative storytelling needs.

The unique imaging properties of the BLACKWING7 optics are a result of carefully controlled distortion during the development and manufacturing processes. This modular distortion allows for a high degree of tuneability over key parameters that shape the lenses’ creative characteristics.

The lens range consists of eight core focal lengths, with three additional focal lengths currently in development. Each focal length is offered with three tuning options, which can be configured at the time of manufacture.

With TRIBE7 BLACKWING7 PRIMES FULL FRAME lens tuning, parameters such as sharpness, contrast, roll-off, spherical aberration, field curvature, edge halation, and flare can be modified to provide sets of “curated” optics tailored to the owner’s unique personality and artistic vision.

While BLACKWING7 primes draw design cues from optics produced during the 1930s to 1960s, their real inspiration comes from the evolutionary nature of experimental music and audio synthesis. The process of creating distortion through sound amplification inspired the concept of tuning each BLACKWING7 lens, similar to how EQ adjustments are used in music production to control tonality.

The resulting images produced by TRIBE7 BLACKWING7 PRIMES FULL FRAME lenses have a musical fidelity, with each focal length possessing a distinct level of distortion that can be controlled to produce unique artistic resonances, including distinctive flaring characteristics.

TRIBE7 has created ten sets of limited-edition BLACKWING7 BINARIES to introduce the film making community to the concept of merging audio and imaging. These BINARIES are named in recognition of the fact that creative imaging is not a black or white process and that filmmakers require a wide choice of optics to serve their storytelling needs. BLACKWING7 BINARIES have been widely used in commercials, music videos, TV, and feature productions, with feedback contributing to the production tuning of the BLACKWING7 prime lenses.

Minolta Rokkor Lenses “Rokkor” refers to Mt. Rokko which could be seen from the Minolta factory in Japan. In the late 60’s and all through the 70’s, Minolta made some of the best glass in the world under the Rokkor label. Unlike most manufacturers, Minolta was capable of producing its own glass elements and coatings.

Their reputation for innovation and quality was already firmly in place.The Rokkor line of lenses was one of the most complete sets on the market. The set consists of 11 focal lengths from 21mm to 200mm with an ultra wide. The well known 21mm f2.8, 58mm f1.2, and 85mm f1.7 are still coveted by photographers around the world.

The 100 f2 is an earlier design, but easily one of the best Rokkors ever. However, one of Minolta’s latest designs is the most special of them all. . . The incredible 135mm f2. Fifty years later the Minolta Rokkors are ready for the spotlight once again. This time in highly customized G.L. Optics Mark 5 cinema housings. When design, craftsmanship, and performance converge, a special product is born. These lenses are truly special.

The MasterBuilt Soft Flare Primes series were originally conceived as an answer for cinematographers that requested flare structure with softer edges and smoother contrast. The Soft Flare series present artists with more choices when shooting the MasterBuilt lenses. The new Soft Flare series have become a favorite among cinematographers.

18MM Tl .4 MasterBuilt SOFT FLARE
25MM Tl .4 MasterBuilt SOFT FLARE
35MM Tl .4 MasterBuilt SOFT FLARE
50MM Tl .4 MasterBuilt SOFT FLARE
85MM Tl .4 MasterBuilt SOFT FLARE
105MM Tl .4 MasterBuilt SOFT FLARE

Features:

• Covers sensors from Super35 to large format
• Vintage look in a modern housing
• Part of a six-lens set
• Smooth, accurate focusing
• Aspherical elements for aberration control
• Sharp center with smooth focus falloff
• Signature flare and softer contrast look

Specifications:

MasterBuilt Soft-Flare 18mm 114mm front 5.1 lbs

MasterBuilt Soft-Flare 25mm 114mm front 4.6 lbs

MasterBuilt Soft-Flare 35mm 114mm front 4.6 lbs

MasterBuilt Soft-Flare 50mm 114mm front 4.6 lbs

MasterBuilt Soft-Flare 85mm 114mm front 4.6 lbs

MasterBuilt Soft-Flare 105mm 114mm front 4.9 lbs

Shot with these lens:

Credit: Kali – Katana

*Available with Oval Iris

The small, lightweight, fast Angénieux Optimo Prime Rental Set, covering full frame sensors and offering an impressive T1.8. The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens was designed to be incredibly compact and lightweight, and a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. The series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter, as well as identical colorimetry across the range. The Angénieux Optimo Primes are built to integrate seamlessly with the Angénieux Zooms, and make a brilliant hand-held build, and also work great for Ronin work. Cinematographers love their portability.

We all know and love the legendary Angénieux look, featuring cinematic images that are neither too strong nor too soft. The Angénieux Optimo Set provides gentle fall off while still giving details in the focus. And these primes are color-matched to our Optimo Zooms.

Perfect for use with our ARRI ALEXA Mini LF cameras, these primes pair beautifully and provide image consistency with our Angénieux EZ-1 45-135mm Full Frame Zoom and Angénieux EZ-2 2-60mm Full Frame Zoom.

See how gorgeous the Angénieux Prime Set looks on screen here.  Music Video: In Light. Director: Joel Kazuo Knoernschild/ Cinematographer: Randy Wedick

• Identical colorimetry across the range
• Replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect)
• Filters to change optical properties, MTF, CCI, etc.
• High-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane
• Cooke /i and LDS Metadata Support
• Replaceable Iris Blade Unit and Optics
• Front diameter 95mm
• Lens mount: PL