Cameras – MPS Film

6mm Canon/ Century

Angel — Fri, 05 Jun 2026 19:34:10 +0000

Century Precision Optics 6mm T1.9 PL Mount Wide Angle Lens

This Wide Angle lens covers

Super 16mm & Reg 16mm

Optex 8mm (PL Mount)

Angel — Fri, 05 Jun 2026 19:27:46 +0000

Optex 8mm (PL Mount) Overview

Made for Super 16 – 8MM: This lens is specifically designed for Super 16 film cameras, maximizing image quality for your productions.

PL Mount Ready: The industry-standard PL mount ensures compatibility with a vast range of professional cine cameras.

Low Light Master: Available in various focal lengths, all with a fast maximum aperture (T2.0 on some) for capturing stunning visuals in low-light situations and achieving a beautiful shallow depth of field.

Wide-Angle Wonder: Several focal lengths offer wide-angle options, perfect for capturing expansive landscapes or adding a dramatic touch to your shots.

Sharp and Natural: Despite being wide-angle, these lenses minimize barrel distortion (unlike fisheye lenses) for a more natural look.

Get Close: The close focus capability allows for sharp close-up shots, ideal for interviews or detailed product demonstrations.

Sigma Aizu Prime 25mm, 27mm, 32mm, 35mm, 40mm, 50mm, 65mm, 75mm T1.3 LF Cinema Lens

Angel — Thu, 28 May 2026 14:53:46 +0000

Sigma Aizu Prime T1.3 LF Cinema Lenses Overview

Introducing the Sigma Aizu Prime T1.3 LF Cinema Lenses the world’s first lineup* of large-format cinema lenses to achieve an aperture value of T1.3 across all focal lengths.

The lineup combines modern sharpness with an organic and naturally soft look, bringing rich texture and depth to visuals.

*As of June 2025, by Sigma.

BOASTING UNPARALLELED BRIGHTNESS, REFINED EXPRESSION, AND RELIABLE PERFORMANCE.

The Aizu Prime Line embodies the proven technology and quality of “Made in Aizu, Japan” establishing the new standard.

The lineup includes 8 lenses with focal lengths from 25mm to 75mm, covering core cinematic production needs.

1 SIGMA AIZU PRIME LF 25mm T1.3
1 SIGMA AIZU PRIME LF 27mm T1.3
1 SIGMA AIZU PRIME LF 32mm T1.3
1 SIGMA AIZU PRIME LF 35mm T1.3
1 SIGMA AIZU PRIME LF 40mm T1.3
1 SIGMA AIZU PRIME LF 50mm T1.3
1 SIGMA AIZU PRIME LF 65mm T1.3
1 SIGMA AIZU PRIME LF 75mm T1.3

DZOFilm Arcana Anamorphic Prime 3-Lens Kit (ARRI PL, Titanium)

Angel — Tue, 19 May 2026 18:49:04 +0000

DZOFilm Arcana Anamorphic Prime 3-Lens Kit (ARRI PL, Titanium)

The ARRI PL-mount DZOFilm Arcana Anamorphic Prime 3-Lens Kit comprises 32, 45, and 75mm lenses with nearly identical lengths and weights, plus a hard lens case. This trio enables you to capture key focal lengths with a widescreen look and dramatic oval bokeh. Each full-frame lens produces a 1.5x anamorphic squeeze and anamorphic flares that take on the color of your lighting

From Manufacturer

Impressive Image Quality

Each lens in the Arcana series uses cylinder, ED (extra-low dispersion), and high-refraction elements to produce an ideal balance between ultrahigh center resolution and edge-to-edge image sharpness.

Oval Bokeh and Flexible Flares

A special white coating enables the Arcana lenses to create flares that transmit the color of your lighting setup. Their 1.5x anamorphic squeeze produces oval bokeh with a more dramatic look than a 2.0x anamorphic lens.

Compact Form with Titanium Finish

Arcana 1.5x lenses are lightweight and compact, sharing near identical weights and lengths, letting you quickly and easily swap lenses on your camera or gimbal rig. Each lens has an 80mm front outside diameter and a 77mm filter thread, and it offers 270° focus rotation for precise focus pulls. A titanium finish lends a refined look to the Arcana lens series.

Sharp 1.5x Anamorphic Coverage

The ARRI PL-mount Arcana 45mm Anamorphic Prime Lens from DZOFilm captures a widescreen look with dramatic oval bokeh and anamorphic flares that take on the color of your lighting source. This compact and lightweight cine-style lens provides a 1.5x anamorphic squeeze for full-frame cameras.

Impressive Image Quality

Each lens in the Arcana series uses cylinder, ED (extra-low dispersion), and high-refraction elements to produce an ideal balance between ultrahigh center resolution and edge-to-edge image sharpness.

Oval Bokeh and Flexible Flares

Compact Form with Titanium Finish

ARRI PL Mount

This lens comes with an ARRI PL mount, enabling you to use it with a variety of cine-style cameras.

Tribe7 Blackwing X-tuned Lenses

Angel — Tue, 19 May 2026 05:32:04 +0000

Infuse your full-frame cine-style footage with a unique look featuring vintage characteristics using the Tribe7 Blackwing X-tuned Lenses. Developed with modularly controlled distortion, each of the three series of these ARRI PL-mount lenses have distinct personalities that help you craft an atmospheric look for your story. TRIBE7 was founded as a collaboration between artist and Academy Award-nominated cinematographer Bradford Young, ASC, and motion picture camera and lens technologist Neil Fanthom.

Designed with a concept akin to the evolution of experimental music, each BLACKWING lens is based on an underlying level of distortion that is tuned to produce the desired resonance for the S-, T-, and X-Tuned series. Tuned parameters include sharpness, contrast, spherical aberration, roll-off, edge halation, and field curvature.

Used on commercials, series, and features with stunning visuals like Conclave, BLACKWING tuned lenses pair well with full-frame, cine-style cameras like the RED V-RAPTOR [X] 8K VV , ARRI ALEXA Mini LF , Sony VENICE , and the Blackmagic URSA Cine 17K . Cine-style features include a 14-blade aperture, 270˚ barrel rotation for precise focus pulls, 0.8 MOD focus and iris gears, and a 114mm front diameter across the series.

X-Tuned

“X” for expressive—designed to create dreamy, near-ethereal images with exaggerated halation, the X-Tuned primes have selectively uncoated edges that reduce contrast in harder lighting conditions. Slight spherical aberration and focal plane curvature increase the perception of shallower depth of field.

Tribe7 Blackwing T-tuned Lenses

Angel — Tue, 19 May 2026 05:31:22 +0000

Infuse your full-frame cine-style footage with a unique look featuring vintage characteristics using the Tribe7 Blackwing T-tuned Lenses. Developed with modularly controlled distortion, each of the three series of these ARRI PL-mount lenses have distinct personalities that help you craft an atmospheric look for your story. TRIBE7 was founded as a collaboration between artist and Academy Award-nominated cinematographer Bradford Young, ASC, and motion picture camera and lens technologist Neil Fanthom.

T-Tuned

Transient T-Tuned lenses feature noticeable contrast roll-off, heightened edge halation, and vibrant flaring produced by vintage-style, single coated optics. The 10 T-Tuned primes lenses are available singly and in a 6-lens set of 27, 37, 47, 57, 77, and 107mm lenses that can be expanded with a longer 137mm prime and wider 17, 20.7, and 23.7mm lenses. Each is tuned with a high level of light reactivity and exaggerated contrast roll-off that extends to the edge of the frame, creating a slightly softer, artistic look.

Teradek Bolt Pro 3000 HD Wireless Video Transmitter Receiver Set

Angel — Wed, 13 May 2026 16:51:22 +0000

Teradek Bolt Pro 3000 HD Overview

Transmit uncompressed 1080p video wirelessly over 3000 feet line-of-sight with the Teradek Bolt Pro 3000 HD Wireless Video Transmitter Receiver Set. Included in this set are a Teradek Bolt Pro 3000 transmitter and receiver, both equipped with 3G-SDI input/output. The transmitter can pair with and multicast to up to four receivers (additional receivers not included). When transmitting uncompressed video, latencies of less than one millisecond can be achieved if no other video processing is necessary.

Transmitting across the 5 GHz frequency range, the pair utilizes Dynamic Frequency Selection (DFS) to find a clean signal between the transmitter and receiver. This is desirable when working in areas with crowded frequencies. The transmitter and receiver are equipped with SDI ports, and the transmitter features a loop-through SDI output. The USB GRAB engine streams the uncompressed video straight out of the receiver and into a PC for immediate recording. The included waterproof case with custom-cut foam carries the components during transport and storage.

Transmission Distance

The Bolt Pro 3000 transmitter and receiver pair can transmit 1080p60 video up to 3000′ line-of-sight, with less than 1 ms of latency when not converting video formats.

Cross Conversion

Using the transmitter, which has an SDI input, to send to an optional receiver that has an HDMI output, or an optional transmitter with an HDMI input with the included receiver, which has an SDI output, will essentially cross convert your video signal during transmission.

Durability

The hardened aluminum chassis is designed to withstand the rigors of production, and features 1/4″-20 threaded mounting holes.

USB Grab Engine

The built-in USB port on the receiver enables direct connection to a computer, so you can capture video directly from the receiver into your computer over USB 3.0. With this video available, rough edits can be made even before the footage is offloaded from the camera.

OLED Info Screen

A built-in OLED information screen is built into the receiver. This enables rapid setup and confirmation of your settings.

3D LUT Support

Utilizing the OLED screen, you can apply 3D LUTs with the press of a button. Upload your own LUTs using the free Bolt Manager software, or select from several built-in presets using Bolt’s OSD.

20 and 40 MHz Channels

You can select to transmit in 20 or 40 MHz channels. However, please note that while 20 MHz channels allow you to operate more wireless systems at once in a single location, while offering a more robust wireless link in challenging RF conditions, they do not support audio transmission, as well as interlaced, PsF, and 1080p 60/50 frame rates. The 40 MHz channels support audio, interlaced, PsF, and 1080p 60/50.

Timecode and Metadata Support

All 3G-SDI Bolt models support metadata, timecode, and start/stop flags from many camera manufacturers, including RED, ARRI, Canon, Sony, and Panasonic.

Dynamic and Manual Frequency Selection

You can select either dynamic or manual frequency.

Waterproof Case

Teradek Protective Case is waterproof, includes custom-cut foam, and measures 12.0 x 9.0 x 4.5″.

DZOFilm Arles Prime Lens Set 14/18/21/25/35/50/75/100/135

Angel — Tue, 12 May 2026 06:14:01 +0000

DZOFilm Arles Prime Lens Set: 14mm, 18mm, 21mm, 25mm, 35mm, 50mm, 75mm, 100mm, 135mm

Cinematic, Painterly Look

Equip your full-frame ARRI PL-mount camera with the DZOFilm Arles Prime Lens Set to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.

Large-Format Coverage

The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
The resulting increase in light transmission creates enhanced depth and dimension in your images.

Painterly Rendering

Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.

Minimal Breathing and Aberration

Floating elements minimize breathing during focus shifts.
The inclusion of aspherical elements helps to improve low-light capture.
Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.

Interchangeable PL Mount

This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.

Consistency Across Series

A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments

Teradek Bolt 4K 12G-SDI MAX Kit

Angel — Fri, 08 May 2026 18:15:57 +0000

Teradek Bolt 4K MAX Kit Overview

The Teradek Bolt 4K 12G-SDI MAX Kit is a real time wireless video transmission system that supports up to 4K 60FPS video signals up to 3,000 ft line of sight. Key features include increased range, faster reconnection times, easier setup with Bluetooth App for iOS or Android, and more stable connectivity. These devices are cross-compatible with the entire Bolt 4K Family. Featuring a Gold Mount Battery Plate for mounting directly to the back of your camera or monitor. This set includes the Bolt 4K MAX TX, Bolt 4K MAX RX, Carrying Case, and other essentials you need to get started.

Bolt 4K MAX is the most reliable, highest performance wireless video system we’ve ever created. Featuring exclusive technology found only in this model, the MAX is designed to be your mission critical wireless workhorse.

Fixed Frequency Mode locks onto your designated 5GHz channel for enhanced performance in challenging RF environments.

A unique antenna design provides a clearer wireless signal with faster reconnection times over long distances.

Teradek Bolt 6 LT 750 3G-SDI/HDMI Transmitter/Receiver Kit

Angel — Fri, 08 May 2026 18:02:39 +0000

Teradek Bolt 6 LT 750 Overview

Transmit and receive lossless HD video from up to 750′ line of sight with the Teradek Bolt 6 LT 750 3G-SDI/HDMI Transmitter/Receiver Kit. The kit includes a wireless Bolt 6 LT 3G-SDI/HDMI transmitter and wireless Bolt 6 LT 3G-SDI/HDMI receiver, which support the new 6 GHz wireless frequency, feature bright OLED displays, and can wirelessly receive up to UHD 4K30 video with 10-bit 4:2:2 HDR support.

The transmitter inputs video over 3G-SDI or HDMI and features 3G-SDI and HDMI loop outputs, and the receiver outputs video via 3G-SDI and HDMI. Both units are compatible with all Bolt 4K models using the 5 GHz wireless band.

Quick Features

Compatible with Bolt 6 series devices using the newly available 6 GHz frequency band

Cross-compatible with all Bolt 4K, Bolt 4K LT, and Bolt 4K Monitor Module series devices over the 5 GHz signal spectrum

Input video up to UHD 4K30 4K via HDMI and transmit up to 4K30 video; input up to 1080p60 via SDI; SDI loop output

SDI Eye Pattern Tool to check SDI cable integrity

Supports Rec 2020 HDR in 10-bit 4:2:2 color gamut

Improved “long range” mode

Small and lightweight chassis design

Transmit to up to six Bolt 4K or Bolt 6 series receivers

AES-256 encryption support

Wireless iOS/Android app via Bluetooth features a spectrum analyzer and remote configuration

Teradek Bolt 6 XT 1500 12G-SDI/HDMI Wireless RX/TX Deluxe Kit (Gold Mount)

Angel — Fri, 08 May 2026 17:48:27 +0000

Teradek Bolt 6 XT 1500 Kit Overview

Transmit and receive lossless HD video from up to a 1500′ line of sight with the Teradek Bolt 6 XT 1500 12G-SDI/HDMI Wireless RX/TX Deluxe Kit from Teradek. The kit includes a wireless transmitter and receiver that can wirelessly receive up to 4K60 video with 10-bit 4:2:2 HDR support, and this new line supports the 6 GHz wireless band, which is now freely available. The transmitter inputs up to 4K video over HDMI or 12G-SDI, and the receiver outputs video via HDMI and 12G-SDI. A Gold mount battery plate is included to power each unit with a professional Gold mount battery. Though it can transmit visually lossless video to any Bolt 4K series receiver with zero delay using the 5 GHz band, it requires a Bolt 6 device to transmit over the 6 GHz band.

The transmitter sends up to 4K60 video to any Bolt 6 or 4K series receiver, and it can also simultaneously transmit to up to six receivers. The system features improved metadata, range, and compatibility over its predecessors. The built-in AES-256 encryption with RSA 1024 key pairing protects your video from prying eyes, while noise rejection keeps your video clean no matter how many devices are using the wireless spectrum. Though it can transmit visually lossless video to any Bolt 6 or 4K series receiver with zero delay using the 5 GHz band, it requires a Bolt 6 device to transmit over the 6 GHz band.

The transmitter module also supports a desktop Bolt Manager software application or the Bolt app for iOS or Android that easily connects via Bluetooth, providing a spectrum analyzer, channel selection tools, and remote configuration. There are 1/4″-20, 3/8″-16, and M3 mounting threads to mount your transmitter on a variety of cameras, cages, or rigs. The Deluxe Kit features a carry case for the entire system as well as additional cables and mounting options.

Key Features

Transmitter/receiver set cross-compatible with all Bolt 6 series over 6 GHz spectrum and Bolt 4K series devices over 5 GHz signal spectrum

Units feature a Gold mount battery plate

Input and output up to 4K video via HDMI and 12G-SDI; transmit up to 4K30 video

Transmit video over the 6 GHz frequency band

Improved “long-range” mode

SDI Eye Pattern Tool to check SDI cable integrity

The receiver supports up to 4K30 video and outputs 12G-SDI and HDMI

Supports Rec 2020 HDR in 10-bit 4:2:2 color gamut

Smaller and lighter chassis design than other Bolt transmitters

Transmit to up to six Bolt 6 or six Bolt 4K series receivers

AES-256 encryption support and RSA 1024 key pairing support

Wireless iOS/Android app via Bluetooth features a spectrum analyzer and remote configuration

Sony Rialto Camera Extension System 2 for Sony VENICE/VENICE 2

Angel — Fri, 08 May 2026 17:40:38 +0000

Sony Rialto Camera Extension System 2 Overview

Maximize the creative possibilities of your VENICE camera with the addition of the Sony Rialto Camera Extension System 2. Compatible with the VENICE, VENICE 2 6K and VENICE 2 8K, the Rialto Extension System 2 separates the sensor block and lens from the body of the camera, greatly increasing your mobility without any lessening of the full-frame image quality. Ideal for handheld and gimbal use and jib, crane, and car rigs, this compact and lightweight system also enables you to capture shots from tight spaces that were previously inaccessible. The new 9.8 and 39′ tethering cables options transmit wide-bandwidth sensor data over longer distances than the original Rialto system.

New system features include a built-in gyro sensor for transmitting tilt and roll metadata via the SDI output (for VENICE 2 only) and four user-assignable buttons (one for the VENICE) for quick access to key camera functions like run/stop and ND filter selection. Weighing around just 4.6 lb, the Extension System 2 is approximately the same size as the original unit, measuring 6.2 x 5.8 x 5″.

Requires Latest Firmware

To use the Extension System 2, VENICE 2 firmware v.2.00 and VENICE firmware v.6.3 are necessary and will be available in early 2023.

Maintains Image Quality

There is no degradation in image quality when using the Extension System 2 whether shooting with the 9.8 or the 39′ single tethering cable.

Enhanced Mobility

Separating the camera body and image sensor block by up to 39′ provides flexibility when filming with gimbals, jibs, cranes, handheld rigs, in helicopter/underwater housings, or with custom rigs used for 3D/VR content and shooting scenes in confined spaces such as vehicles. The separated image block weighs just 4.6 lb with a PL mount.

Integrated Gyro Sensor

When capturing images for Visual F/X, the Extension System 2 uses an internal sensor on the camera head to detect tilt/roll motion. It records this information in the metadata and outputs the data through the camera’s SDI port.

Function Buttons

Four user-assignable buttons are available for use with your VENICE 2 8K/6K and one is active with the VENICE, providing quick access to camera functions like run/stop and ND filter selection.